samuelbradley:

 An afternoon with Benedict Cumberbatch
 Celebrities spend a notable portion of their time with photographers. They spend this allotted time in front of a camera, choosing how much they reveal of themselves, posing, not posing, indulging requests, refusing them… Then they go away, often leaving a lasting impression on the photographer. Which begs the question, how much of an impression can a photographer leave on a celebrity? It would be easy to leave a bad one, just be an arsehole. But to leave a lasting positive impression before anyone even sees the photos, how often does that happen? 
 I am not flamboyant, loud, boisterous, camp or crass. I possess few of the imagined stereotypical celebrity photographer qualities. I am polite, patient, anxious in the beginning, more confident as the shoot goes on, witty if I get lucky and I like to talk to my subject. Not just asking them questions, like some kind of bonus interview, but talking about myself too, so it’s a normal conversation between two normal people. I don’t give enormous amounts of direction when making portraiture. I wait, I nudge, I wait some more, I suggest, I keep waiting until ‘the photograph appears’. Sometimes I take pictures to fill the time waiting for ‘the photograph’ and sometimes those pictures work, but most of the time I know when I have got the shot I’ve waited for before looking at the back of the camera, or seeing the contact sheets. In this case, with Benedict, I shot entirely on film.
 I don’t want to exaggerate, I’m sure my assistant would tell you that to him and anyone else on the shoot observing, there were no remarkable exchanges between myself and Mr Cumberbatch. At one point I told him he was being ‘too sexy’ - I think he’d undone some buttons on his shirt - and that became sort of a running joke for the rest of the shoot, but I’m probably romanticising. Even so, it sticks in my mind, begging embellishment with each retelling. 
  It’s intimidating, in truth, to talk to someone who’s very personality has catapulted them to international stardom. I didn’t achieve some small success in photography because I’m hilarious, brilliant, witty or charming, I got to where I am because of my ‘eye’ (and to an arguably larger extent, my business strategy). Whether or not I did a good job doesn’t become evident until much later on, after the shoot has finished and everyone has gone home. Benedict on the other hand, is required to exude charisma at all times, the nature of his talent means it is instantaneously evident, judged live. To photograph someone with his strength of character is to strive frantically to capture a portion of it. Even if you only manage half a second, that’s all you need, such is the immortality of a still image.
 I’ve had a lot of excellent feedback on the story for OUT magazine, most notably from Benedict’s devoted fan-base, who arguably know him best of all, being followers of everything he does, every photo, every interview, chat show appearance and the like. Still I don’t know what Benedict himself thinks of the pictures, or me as a person for that matter, and am unlikely to ever find out, at least directly.
 All I can say with absolute certainty about my time with Sherlock, Smaug, Julian, Alan, Khan, is that it never felt awkward or uncomfortable, I spent most of it smiling, a handful of it laughing, and whether I made any sort of impression on him or not, I am eternally thankful that he happened to be my first cover.
Zoom Info
samuelbradley:

 An afternoon with Benedict Cumberbatch
 Celebrities spend a notable portion of their time with photographers. They spend this allotted time in front of a camera, choosing how much they reveal of themselves, posing, not posing, indulging requests, refusing them… Then they go away, often leaving a lasting impression on the photographer. Which begs the question, how much of an impression can a photographer leave on a celebrity? It would be easy to leave a bad one, just be an arsehole. But to leave a lasting positive impression before anyone even sees the photos, how often does that happen? 
 I am not flamboyant, loud, boisterous, camp or crass. I possess few of the imagined stereotypical celebrity photographer qualities. I am polite, patient, anxious in the beginning, more confident as the shoot goes on, witty if I get lucky and I like to talk to my subject. Not just asking them questions, like some kind of bonus interview, but talking about myself too, so it’s a normal conversation between two normal people. I don’t give enormous amounts of direction when making portraiture. I wait, I nudge, I wait some more, I suggest, I keep waiting until ‘the photograph appears’. Sometimes I take pictures to fill the time waiting for ‘the photograph’ and sometimes those pictures work, but most of the time I know when I have got the shot I’ve waited for before looking at the back of the camera, or seeing the contact sheets. In this case, with Benedict, I shot entirely on film.
 I don’t want to exaggerate, I’m sure my assistant would tell you that to him and anyone else on the shoot observing, there were no remarkable exchanges between myself and Mr Cumberbatch. At one point I told him he was being ‘too sexy’ - I think he’d undone some buttons on his shirt - and that became sort of a running joke for the rest of the shoot, but I’m probably romanticising. Even so, it sticks in my mind, begging embellishment with each retelling. 
  It’s intimidating, in truth, to talk to someone who’s very personality has catapulted them to international stardom. I didn’t achieve some small success in photography because I’m hilarious, brilliant, witty or charming, I got to where I am because of my ‘eye’ (and to an arguably larger extent, my business strategy). Whether or not I did a good job doesn’t become evident until much later on, after the shoot has finished and everyone has gone home. Benedict on the other hand, is required to exude charisma at all times, the nature of his talent means it is instantaneously evident, judged live. To photograph someone with his strength of character is to strive frantically to capture a portion of it. Even if you only manage half a second, that’s all you need, such is the immortality of a still image.
 I’ve had a lot of excellent feedback on the story for OUT magazine, most notably from Benedict’s devoted fan-base, who arguably know him best of all, being followers of everything he does, every photo, every interview, chat show appearance and the like. Still I don’t know what Benedict himself thinks of the pictures, or me as a person for that matter, and am unlikely to ever find out, at least directly.
 All I can say with absolute certainty about my time with Sherlock, Smaug, Julian, Alan, Khan, is that it never felt awkward or uncomfortable, I spent most of it smiling, a handful of it laughing, and whether I made any sort of impression on him or not, I am eternally thankful that he happened to be my first cover.
Zoom Info
samuelbradley:

 An afternoon with Benedict Cumberbatch
 Celebrities spend a notable portion of their time with photographers. They spend this allotted time in front of a camera, choosing how much they reveal of themselves, posing, not posing, indulging requests, refusing them… Then they go away, often leaving a lasting impression on the photographer. Which begs the question, how much of an impression can a photographer leave on a celebrity? It would be easy to leave a bad one, just be an arsehole. But to leave a lasting positive impression before anyone even sees the photos, how often does that happen? 
 I am not flamboyant, loud, boisterous, camp or crass. I possess few of the imagined stereotypical celebrity photographer qualities. I am polite, patient, anxious in the beginning, more confident as the shoot goes on, witty if I get lucky and I like to talk to my subject. Not just asking them questions, like some kind of bonus interview, but talking about myself too, so it’s a normal conversation between two normal people. I don’t give enormous amounts of direction when making portraiture. I wait, I nudge, I wait some more, I suggest, I keep waiting until ‘the photograph appears’. Sometimes I take pictures to fill the time waiting for ‘the photograph’ and sometimes those pictures work, but most of the time I know when I have got the shot I’ve waited for before looking at the back of the camera, or seeing the contact sheets. In this case, with Benedict, I shot entirely on film.
 I don’t want to exaggerate, I’m sure my assistant would tell you that to him and anyone else on the shoot observing, there were no remarkable exchanges between myself and Mr Cumberbatch. At one point I told him he was being ‘too sexy’ - I think he’d undone some buttons on his shirt - and that became sort of a running joke for the rest of the shoot, but I’m probably romanticising. Even so, it sticks in my mind, begging embellishment with each retelling. 
  It’s intimidating, in truth, to talk to someone who’s very personality has catapulted them to international stardom. I didn’t achieve some small success in photography because I’m hilarious, brilliant, witty or charming, I got to where I am because of my ‘eye’ (and to an arguably larger extent, my business strategy). Whether or not I did a good job doesn’t become evident until much later on, after the shoot has finished and everyone has gone home. Benedict on the other hand, is required to exude charisma at all times, the nature of his talent means it is instantaneously evident, judged live. To photograph someone with his strength of character is to strive frantically to capture a portion of it. Even if you only manage half a second, that’s all you need, such is the immortality of a still image.
 I’ve had a lot of excellent feedback on the story for OUT magazine, most notably from Benedict’s devoted fan-base, who arguably know him best of all, being followers of everything he does, every photo, every interview, chat show appearance and the like. Still I don’t know what Benedict himself thinks of the pictures, or me as a person for that matter, and am unlikely to ever find out, at least directly.
 All I can say with absolute certainty about my time with Sherlock, Smaug, Julian, Alan, Khan, is that it never felt awkward or uncomfortable, I spent most of it smiling, a handful of it laughing, and whether I made any sort of impression on him or not, I am eternally thankful that he happened to be my first cover.
Zoom Info
samuelbradley:

 An afternoon with Benedict Cumberbatch
 Celebrities spend a notable portion of their time with photographers. They spend this allotted time in front of a camera, choosing how much they reveal of themselves, posing, not posing, indulging requests, refusing them… Then they go away, often leaving a lasting impression on the photographer. Which begs the question, how much of an impression can a photographer leave on a celebrity? It would be easy to leave a bad one, just be an arsehole. But to leave a lasting positive impression before anyone even sees the photos, how often does that happen? 
 I am not flamboyant, loud, boisterous, camp or crass. I possess few of the imagined stereotypical celebrity photographer qualities. I am polite, patient, anxious in the beginning, more confident as the shoot goes on, witty if I get lucky and I like to talk to my subject. Not just asking them questions, like some kind of bonus interview, but talking about myself too, so it’s a normal conversation between two normal people. I don’t give enormous amounts of direction when making portraiture. I wait, I nudge, I wait some more, I suggest, I keep waiting until ‘the photograph appears’. Sometimes I take pictures to fill the time waiting for ‘the photograph’ and sometimes those pictures work, but most of the time I know when I have got the shot I’ve waited for before looking at the back of the camera, or seeing the contact sheets. In this case, with Benedict, I shot entirely on film.
 I don’t want to exaggerate, I’m sure my assistant would tell you that to him and anyone else on the shoot observing, there were no remarkable exchanges between myself and Mr Cumberbatch. At one point I told him he was being ‘too sexy’ - I think he’d undone some buttons on his shirt - and that became sort of a running joke for the rest of the shoot, but I’m probably romanticising. Even so, it sticks in my mind, begging embellishment with each retelling. 
  It’s intimidating, in truth, to talk to someone who’s very personality has catapulted them to international stardom. I didn’t achieve some small success in photography because I’m hilarious, brilliant, witty or charming, I got to where I am because of my ‘eye’ (and to an arguably larger extent, my business strategy). Whether or not I did a good job doesn’t become evident until much later on, after the shoot has finished and everyone has gone home. Benedict on the other hand, is required to exude charisma at all times, the nature of his talent means it is instantaneously evident, judged live. To photograph someone with his strength of character is to strive frantically to capture a portion of it. Even if you only manage half a second, that’s all you need, such is the immortality of a still image.
 I’ve had a lot of excellent feedback on the story for OUT magazine, most notably from Benedict’s devoted fan-base, who arguably know him best of all, being followers of everything he does, every photo, every interview, chat show appearance and the like. Still I don’t know what Benedict himself thinks of the pictures, or me as a person for that matter, and am unlikely to ever find out, at least directly.
 All I can say with absolute certainty about my time with Sherlock, Smaug, Julian, Alan, Khan, is that it never felt awkward or uncomfortable, I spent most of it smiling, a handful of it laughing, and whether I made any sort of impression on him or not, I am eternally thankful that he happened to be my first cover.
Zoom Info
samuelbradley:

 An afternoon with Benedict Cumberbatch
 Celebrities spend a notable portion of their time with photographers. They spend this allotted time in front of a camera, choosing how much they reveal of themselves, posing, not posing, indulging requests, refusing them… Then they go away, often leaving a lasting impression on the photographer. Which begs the question, how much of an impression can a photographer leave on a celebrity? It would be easy to leave a bad one, just be an arsehole. But to leave a lasting positive impression before anyone even sees the photos, how often does that happen? 
 I am not flamboyant, loud, boisterous, camp or crass. I possess few of the imagined stereotypical celebrity photographer qualities. I am polite, patient, anxious in the beginning, more confident as the shoot goes on, witty if I get lucky and I like to talk to my subject. Not just asking them questions, like some kind of bonus interview, but talking about myself too, so it’s a normal conversation between two normal people. I don’t give enormous amounts of direction when making portraiture. I wait, I nudge, I wait some more, I suggest, I keep waiting until ‘the photograph appears’. Sometimes I take pictures to fill the time waiting for ‘the photograph’ and sometimes those pictures work, but most of the time I know when I have got the shot I’ve waited for before looking at the back of the camera, or seeing the contact sheets. In this case, with Benedict, I shot entirely on film.
 I don’t want to exaggerate, I’m sure my assistant would tell you that to him and anyone else on the shoot observing, there were no remarkable exchanges between myself and Mr Cumberbatch. At one point I told him he was being ‘too sexy’ - I think he’d undone some buttons on his shirt - and that became sort of a running joke for the rest of the shoot, but I’m probably romanticising. Even so, it sticks in my mind, begging embellishment with each retelling. 
  It’s intimidating, in truth, to talk to someone who’s very personality has catapulted them to international stardom. I didn’t achieve some small success in photography because I’m hilarious, brilliant, witty or charming, I got to where I am because of my ‘eye’ (and to an arguably larger extent, my business strategy). Whether or not I did a good job doesn’t become evident until much later on, after the shoot has finished and everyone has gone home. Benedict on the other hand, is required to exude charisma at all times, the nature of his talent means it is instantaneously evident, judged live. To photograph someone with his strength of character is to strive frantically to capture a portion of it. Even if you only manage half a second, that’s all you need, such is the immortality of a still image.
 I’ve had a lot of excellent feedback on the story for OUT magazine, most notably from Benedict’s devoted fan-base, who arguably know him best of all, being followers of everything he does, every photo, every interview, chat show appearance and the like. Still I don’t know what Benedict himself thinks of the pictures, or me as a person for that matter, and am unlikely to ever find out, at least directly.
 All I can say with absolute certainty about my time with Sherlock, Smaug, Julian, Alan, Khan, is that it never felt awkward or uncomfortable, I spent most of it smiling, a handful of it laughing, and whether I made any sort of impression on him or not, I am eternally thankful that he happened to be my first cover.
Zoom Info

samuelbradley:

 An afternoon with Benedict Cumberbatch

 Celebrities spend a notable portion of their time with photographers. They spend this allotted time in front of a camera, choosing how much they reveal of themselves, posing, not posing, indulging requests, refusing them… Then they go away, often leaving a lasting impression on the photographer. Which begs the question, how much of an impression can a photographer leave on a celebrity? It would be easy to leave a bad one, just be an arsehole. But to leave a lasting positive impression before anyone even sees the photos, how often does that happen? 

 I am not flamboyant, loud, boisterous, camp or crass. I possess few of the imagined stereotypical celebrity photographer qualities. I am polite, patient, anxious in the beginning, more confident as the shoot goes on, witty if I get lucky and I like to talk to my subject. Not just asking them questions, like some kind of bonus interview, but talking about myself too, so it’s a normal conversation between two normal people. I don’t give enormous amounts of direction when making portraiture. I wait, I nudge, I wait some more, I suggest, I keep waiting until ‘the photograph appears’. Sometimes I take pictures to fill the time waiting for ‘the photograph’ and sometimes those pictures work, but most of the time I know when I have got the shot I’ve waited for before looking at the back of the camera, or seeing the contact sheets. In this case, with Benedict, I shot entirely on film.

 I don’t want to exaggerate, I’m sure my assistant would tell you that to him and anyone else on the shoot observing, there were no remarkable exchanges between myself and Mr Cumberbatch. At one point I told him he was being ‘too sexy’ - I think he’d undone some buttons on his shirt - and that became sort of a running joke for the rest of the shoot, but I’m probably romanticising. Even so, it sticks in my mind, begging embellishment with each retelling. 

  It’s intimidating, in truth, to talk to someone who’s very personality has catapulted them to international stardom. I didn’t achieve some small success in photography because I’m hilarious, brilliant, witty or charming, I got to where I am because of my ‘eye’ (and to an arguably larger extent, my business strategy). Whether or not I did a good job doesn’t become evident until much later on, after the shoot has finished and everyone has gone home. Benedict on the other hand, is required to exude charisma at all times, the nature of his talent means it is instantaneously evident, judged live. To photograph someone with his strength of character is to strive frantically to capture a portion of it. Even if you only manage half a second, that’s all you need, such is the immortality of a still image.

 I’ve had a lot of excellent feedback on the story for OUT magazine, most notably from Benedict’s devoted fan-base, who arguably know him best of all, being followers of everything he does, every photo, every interview, chat show appearance and the like. Still I don’t know what Benedict himself thinks of the pictures, or me as a person for that matter, and am unlikely to ever find out, at least directly.

 All I can say with absolute certainty about my time with Sherlock, Smaug, Julian, Alan, Khan, is that it never felt awkward or uncomfortable, I spent most of it smiling, a handful of it laughing, and whether I made any sort of impression on him or not, I am eternally thankful that he happened to be my first cover.

Jennifer Lawrence to Perform A Capella Piece for ‘Mockingjay – Part 1’ Score | HungerTimes.com

bandathebillie:

The score features an a capella piece performed by Jennifer Lawrence. The melody was written by The Lumineers.

In the film, The Hanging Tree starts as an a capella performance by Katniss (Jen Lawrence). She is joined first by birds (Mockingjays), then groups of rebels as the song morphs more into score. James adds choir and orchestra and it builds to an amazing crescendo with an enormous action shot. It’s a huge musical moment on the film. It also appears as second end title spot, after Yellow Flicker Beat.”

Where “Shake it Off” is generic, “Out of the Woods” is particular to Swift, the kind of song that only she would write. It’s reassuring, exciting stuff, whether or not this particular song is even to your liking. If you care about how all pop music sounds exactly the same because the same five people are churning out hits for everybody on the Billboard Top 100, then you should care about someone like Swift — a serious songwriter with a distinct voice — crafting her own songs. If she’s singing somebody’s else’s words, it means she isn’t gutting you with lines like “you call me up again just to break me like a promise / so casually cruel in the name of being honest,” or telling a whole life in four words with “careless man’s careful daughter.” I don’t want to turn on the radio and hear female artists belting out girl power jams written by a bunch of dudes. I want more Lorde, more Charli XCX, more Nicki Minaj, more Kacey Musgraves. I want Swift to keep sounding like Swift, coy references to unnamed celebrity exes and all.

OOTW review (x)